








My interest in a museum career solidified while I was earning an M.A. in Art History at the University of Cincinnati, which also offered a Museum Studies Graduate Certificate. As part of my scholarship, I worked as a Fine Arts Collections Assistant with the university’s collections. Under the direction of the Director of DAAP Galleries and the Museum Studies program, I got more hands-on experience than I ever anticipated. The coursework for the certificate was practical and aimed at preparing students for museum jobs, and the collections assistant position complimented it beautifully. I managed the loan program, completed annual inventories of artwork, packed and transported artwork, wrote about collections, and even restored frames. I also had the unusual opportunity to help open a new gallery featuring the collections. Working as a key member of a small team to accomplish a large and important project was invigorating and got me really excited to start my museum career.
As a recent graduate, I knew I would have to look far and wide for a position in my field. I was very fortunately hired at a museum in Kodiak, Alaska for a two-year registration and storage project. The project entailed collections documentation, database development, installation of new drawers for collections units, obtaining legal paperwork from donors and lenders, and even researching land ownership for archaeological collections. The position was a good fit and it became permanent. Since reorganizing the museum’s collections, I have worked on NAGPRA projects - including repatriations and the formation of the Repatriation Commission, a photograph documentation grant, exhibit curation, and researching the ownership of archaeological collections.
Anne "edited", now Director of "edited", continues to be a guiding force. Her astute professionalism and gracefulness at balancing projects and working with others is admirable. She demonstrated ethical responsibility, dedication to the museum profession, and how to successfully work as part of a team.
Also, Amy "edited", "edited", constantly amazes me. If I can in any way learn to communicate in verbal or written form the way she does, my life will be complete!
I love working with people to preserve and share material culture. I especially enjoy caring for objects - whether it’s documenting them, backing up that documentation (I am a back-up freak), or helping to physically preserve an object by improving its storage. However, sharing the museum’s collections via our programs, and even while giving tours and working with volunteers, gives me a sense of contribution and accomplishment.
The Museum is a small repository, but we care for a very large collection – with nearly 250,000 items. Managing a multitude of projects and prioritizing my efforts are daily challenges. Sometimes my head spins at the number of responsibilities I face, but as my colleagues tell me, its job security.
I help care for everything Alutiiq – archives, film and audio recordings, archaeological assemblages, contemporary art, photographs, and natural history specimens, and that’s one reason why my position is so rewarding. One day I am working with a 500-year-old spruce root basket, the next day I am building a storage mount for a 24-foot-long kayak, and then the next I am digitizing audio recordings. I learn something new on a regular basis, and that is what I like the most.
6. Which was your favorite exhibition that you have seen to date?
I enjoyed Giinaquq: Like a Face, an exhibit of 19th century Alutiiq masks, as it taught me that exhibits can go far beyond objects on a wall. The Alutiiq Museum produced the exhibition in collaboration with the French owner of the collection. The community was involved in the planning the exhibit and it events. Alaska Native artists traveled to Boulogne-sur-Mer, France to view the masks, where they shared the need for the masks to be shown in Alaska. The French agreed, and then the Museum brought a selection of the masks to Alaska for all to see. Finally, the masks returned to France with new information. The French had long interpreted the pieces as artwork, which they are, but now they understand their cultural meaning too – how they were made and used and what they mean to Alutiiqs. The collaboration helped two different cultures gain an appreciation for one amazing collection, and in the process, each other.
Understanding. When I tell visitors and even some of my friends I am a Registrar, they don’t really understand what I do. Luckily, working in a museum with a small staff has benefits – I get to work on a variety of projects. There are not many dull moments! I hope that the public and even our own co-workers learn to further appreciate the importance of collections management and registration. After all, collections are al the foundation of all the museum work.

Some friendss offered to watch Abby so we could go on a date. Unfortunately, by the time we got Abby situated, we had all of an hour. We got dressed up - that was about it!
"Resentments is like taking poison and waiting for the other person to die."
I just have to try to breath, and remind myself that this is a narrow-minded sheltered person who simply has failed to recognize that not everyone has a stuck-up prudish attitude about sex (different people/cultures have different beliefs, not everyone conforms to your set). I have to try to understand that this person is simply incapable and too dense to have a mature conversation, rather than making iniquitous decrees based on misunderstandings, because they're inherently self-centered. I have to realize that they have not considered whether they should or even can be held to the same standards. They obviously do not understand the true meaning of forgiveness and do not understand that the same may be applied to them when they make a mistake. This person does not have the imagination to fathom how such a punishment could be so excruciating because they have never had to work very hard, sacrifice much of anything, have never dedicated themselves to anything for very long, or had to support their family by themselves via their own career. I have to try to accept that being punished for being honest and sharing my feelings is indeed just, because I did not have the right to have such inclinations. I have to accept that thinking my professional contribution is important is a fallacy. I am not wanted or needed. I have to realize that not everyone who says they care really cares, and that people are disposable.
Mahatma Ghandi said, "You must not lose faith in humanity. Humanity is an ocean; if a few drops of the ocean are dirty, the ocean does not become dirty," but I say it's tainted.
He said "aim at purifying your thoughts and everything will be well," but he is wrong.
He is right when he said "Freedom is not worth having if it does not connote freedom to err. It passes my comprehension how human beings, be they ever so experienced and able, can delight in depriving other human beings of that precious right."
Not being welcome to participate may be a small freedom to lose, but it means a lot to me.
Recoger la ropa!
Bond, James Bond. I didn't really ever notice how so fantastically super sexy cool James is. He's hot and stuff, but as a teen I didn't realize the extent of his awesomeness. The intro credits to From Russia with Love are projected on a gyrating belly dancer. I actually read some of them :)The opening scene is a practice hunt and kill of Bond, because he is so lethal only the most trained hitman could kill Bond. In a following scene he's having a picnic with a lady friend, and they are interrupted by his state-of-the-art pager so he can take a phone call in his car. He shushes the lady, "Ssh, it's the office", and he still gets to go into work late because he ate lunch first. Then he gets to the office and tosses his hat perfectly onto the coat rack, and is handed the most sophisticated gadgets so he can go canoodle with a hot Russian babe. Nice.